Recently hailed by the BBC as “one of the biggest names in UK dance”, Bicep continue to cement themselves as one of the defining global electronic acts of our times. Sometimes the rawness in the original idea is nice to hear and can end up being appreciated in a totally different way.” When we ran the blog from time to time we would find original demos of famous songs released in the past and ended up preferring those. “We like both directions and think some people will like one over the other. It’s a common thing in the studio to start on one demo and go in different directions but end up liking both and not knowing which to choose.” Both “Water” and “Waterfall” have the same spine, but have two totally different directions in terms of how they finished up. We work with Clara a lot and even from the early “Waterfall” demos we had vocal sounding pads in there which we had in mind for her to sing along with. “We always like to be fluid with ideas and never stick to one direction, when we play live we develop tracks and constantly tweak and change elements and like to employ that process in the studio too. Weirdly it got more computer game sounding when we developed it into “Water”, speeding up and slowing down the lead line and LFOs to give that classic low-bit sound effect.” It’s a new synth but has chips inside which formed the sounds of the SEGA Megadrive/Genesis games consoles. “There was no outright idea when we started, but the original “Waterfall” was born out of experimentation with an instrument called the MEGAfm. This is an ethos that has carried through all of Bicep’s recent work, their last album ‘Isles’ was always intended to be fluid, with the tracks in their recorded form evolving and mutating for the live shows and beyond, as seen with the recent release of “Meli (II)”, originally a beatless track on their ‘Isles Deluxe’ release.ĭescribing the process of how both tracks came into being, the duo explain that “Water” was solely intended to be a standalone thing, essentially developed for the live show to cater for a specific moment in the set. The release also contains the b-side “Waterfall”, an earlier, instrumental version of “Water” which gives fans a chance to gain an insight into how the ideas for the finished track have developed over time. It’s another stand-out moment of euphoria, propelled by Bicep’s timeless production and Clara’s mesmerizing vocals towards a swirling crescendo of neon synths and driving 4x4 kicks.
Featuring vocals from Clara La San, who also appeared on several tracks from the duo’s #2 UK charting album ‘Isles’, “Water” represents their first brand new music since that album. Instantly recognisable to anyone who has seen Bicep’s lauded live show in recent times, “Water” is another keenly anticipated fan-favorite that finally sees an official release.
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